Caves, sound, silence…

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A prehistoric necropolis yields clues to the ancient use of sound and its effect on human brain activity.

Researchers detected the presence of a strong double resonance frequency at 70 Hz and 114 Hz inside a 5,000-years-old mortuary temple on the Mediterranean island of Malta. The Ħal Saflieni Hypogeum is an underground complex created in the Neolithic (New Stone Age) period as a depository for bones and a shrine for ritual use. A chamber known as “The Oracle Room” has a fabled reputation for exceptional sound behavior.

During testing, a deep male voice tuned to these frequencies stimulated a resonance phenomenon throughout the hypogeum, creating bone-chilling effects. It was reported that sounds echoed for up to 8 seconds. Archaeologist Fernando Coimbra said that he felt the sound crossing his body at high speed, leaving a sensation of relaxation. When it was repeated, the sensation returned and he also had the illusion that the sound was reflected from his body to the ancient red ochre paintings on the walls. One can only imagine the experience in antiquity: standing in what must have been somewhat odorous dark and listening to ritual chant while low light flickered over the bones of one’s departed loved ones.

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Sound in a Basso/Baritone range of 70 – 130 Hz vibrates in a certain way as a natural phenomenon of the environment in the Hypogeum, as it does in Newgrange passage tomb, megalithic cairns and any stone cavity of the right dimensions. At these resonance frequencies, even small periodic driving forces can produce large amplitude oscillations, because the system stores vibrational energy. Echoes bounce off the hard surfaces and compound before they fade. Laboratory testing indicates that exposure to these particular resonant frequencies can have a physical effect on human brain activity. (1)

Listen to the music. Listen to the silence. Listen to your self.

Our existence is a piece of music.

You know you like it. But you do not know why.

And like music, it is mostly defined by the small intervals of the absence of sound…

We are all notes on the same music score – being in sync with each other.

The old ones knew that…

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